I’ve made a recent discovery about my personality. It always strikes me as surreal when I find out why my brain does some of the things that it does: it’s like I’m hacking myself, and it freaks me out. If I know that I’m doing something (like eating a chocolate croissant instead of a fruit salad) because of a certain reason (like my incredibly low level of self-control and inability to care about future consequences concerning my health and safety because of deep inner brokenness), does that mean I will really go through with the decision? Is my personality really something to be meddled with? Will knowing why I make certain decisions change the way I make them in the future? Isn’t the element of mystery that is so intricately wound into the way we function a sacred and better-left-alone part of how we operate as people?
(In the case of the chocolate croissant, the thoughts about meta-knowledge are usually sidelined by the chaotic blur of orgasmic sensations that come with eating said croissant. They’re freaking delicious.)
But what I’ve discovered is a previously unknown factor that plays into whether I like a certain song or not. Being a musician, or a pretend-one at least, whether I can sing along and/or find harmonies to the melodies of a song is a huge deal-breaker. When I look at my 25 Most Played automatically generated playlist in my iTunes, it’s filled with songs that I could probably arrange into 20-piece choir items at the drop of a hat.

You see, the really cool thing about Bareilles is that – and look, I’m not trying to flatter myself here, but – we kind of have exactly the same vocal range. It’s probably the most quenching thing I’ve ever come across. I’d kill to be any kind of backing vocalist on a tour of hers: the expertly-placed snippets (all by the artist herself on the album) make for such good entertainment that it makes me want to become part of the First Wives Club and shoop-shoop my way into the streets New York City in a white pants-suit singing one of her songs. Tracks like “Love on the Rocks” and “Many the Miles” (in which the backing is done by two guys – two guys! How cool would that be?) are just so… so much fun :) And they’re joined by the painfully beautiful “City” - a ballad with a cool acoustic/muted drums vibe in the beginning which reminds me of Relient K’s “Getting Into You” – and the awesomeness of the lyrics in songs like “Come Round Soon” – a balanced twist on your typical ‘woman scorned’ piece (although personally I would have cut off the held note after the bridge at least 4 beats earlier. It kind of turns into a screech!).
Only thing I ever could need / Only one good thing worth trying to be and it's love. - "Bottle It Up"
hey you!
ReplyDeletea) you have a blog? coolness. dig it. and the layout too :)
b) Sara Bareilles wins.
c) i like Love Song though :)
d) really, stop being so awesome at EVERYTHING.
e) pretend-musician? you? HAH.
f) chocolate croissants!!! WANT!
kay, i'm done.